LÁPIS DE COR: Técnicas Básicas #5 (COLOR PENCIL: Basic Techniques # 5) - VÍDEO
Hoje vamos escolher uma pequena parte de um livro de colorir e pintar!
Por onde começar? Quais cores escolher?
Dúvidas e dúvidas....
Today we will choose a small part of a coloring book!
Where to start? Which colors to choose?
Let's see...
Depois que escolho o desenho uso uma folha de papel para apoiar o braço e a mão porque o corpo humano possui óleos naturais que, em contacto direto, podem manchar minh pintura.
After choosing the design I use a sheet of paper to support the arm and hand because the human body has natural oils that, in direct contact, can stain my painting.
Then I define the main motif of my painting, which in this case is the bird. I believe it to be a peacock and a bird of paradise.
As I paint with my right hand, I start the painting on the left side of the top. I like to paint in small parts and in a coordinated way.
I chose this little piece for the painting as an example so I look at its details and how it is positioned in relation to the other parts of the drawing around.
In relation to the whole drawing, I have previously defined that my light point is to the left of the book, so the further away from that point the figures are, the clearer they will be.
In the same way, I observe the position of the parts of the drawing: which part is above, which part is below, what is in the shadow and what is in the light.
Aplico lápis branco nas partes claras ou que não quero colocar cor, e ele também me ajuda a isolar um pouco as outras cores, para o caso de esquecer que quero manter uma parte branca.
I apply white pencils on the light parts or on the parts I do not want to color, and it also helps me to isolate the other colors a bit, in case I forget I want to keep a white part.
When I go past the black drawing line I put a similar color in the outdated area, and what seems to be wrong becomes right.
Também tomo especial cuidado em pintar bem rente á linha preta, cobrir bem o branco do papel.
From time to time we must move away from the painting, about 80cm, 1 meter, in order to have an ample visualization of the colors.
The use of blender or white pencil as a blender in small pieces is optional because normally the gradation of colors made in a small area is so good that there is no need to use these pencils.
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